Buffalo Springfield Again stands out for its eclectic blend of folk, country rock, and psychedelia. The album's somber themes create a hauntingly beautiful atmosphere. With contributions from Neil Young and Stephen Stills, this album is a testament to their creative partnership.
If you’re curating a playlist for those quiet moments when the world feels heavy, but you still want a gentle lift, Buffalo Springfield Again deserves a prime spot. This 1967 album is a kaleidoscopic journey through folk, country, psychedelia, and rock, stitched together with themes of loss, longing, and the bittersweet beauty of impermanence.
Buffalo Springfield’s second record is often hailed as their finest. Released during the height of the 60s’ counterculture movement, it showcases the songwriting prowess of Neil Young and Stephen Stills—two artists whose creative chemistry would later explode into superstardom with Crosby, Stills, Nash & Young. The album is a testament to their ability to blend introspection with innovation.
Tracks like “Bluebird” and “Expecting to Fly” are steeped in somber lyrics and minor chord structures. “Bluebird” for instance, paints a vivid picture of unrequited love and inner sadness, while its acoustic coda adds an ethereal touch that lingers long after the last note fades.
While much of the album leans into melancholy, songs like “Good Time Boy” offer soulful bursts of energy. Dewey Martin’s baritone sax solo and Louisiana groove make this track a joyful reprieve—a gentle lift without jolting you out of your mood.
The album almost feels like a Beatles record with its seamless blend of folk, country rock, and psychedelia. From Richie Furay’s tender “Sad Memory” to Stills’ electrifying “Rock & Roll Woman”, every track offers something unique while maintaining cohesion.
This isn’t an album for sudden mood swings; it’s for those moments when you want to sit with your feelings and let music guide you gently toward light.
Whether you’re mesmerized by Young’s wistful melodies or uplifted by Martin’s soulful invocations, Buffalo Springfield Again is a companion for introspection—a soft hand on your shoulder when life gets heavy.
I can't help but think of Buffalo Springfield when I hear Rosé's "APT." I'm convinced Bruno Mars and his production team were listening to the Buffalo Springfield when they worked with Rosé and Lady Gaga. Warm, analog sounds definitely feel fresh these days. Anyway, I recall Gehlee saying she loved APT in a Welive, so naturally thought of this album to share. Bonus points if you hear Buffalo's "Expecting to Fly" in Gaga's "Die With A Smile".
“Come to Me, all you who are weary and burdened, and I will give you rest.” - Matthew 11:28 🕊️
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