Shania Twain - Come On Over (1997)

Why Listen?

Come On Over is a cultural phenomenon wrapped in rhinestones and delivered with a wink and a strut. Released in 1997, this record didn’t just flirt with the boundaries of country music; it kicked the door down, invited pop and rock over for a drink, and threw a party that the entire world RSVP’d to.

With its genre-defying sound and unapologetically bold attitude, Come On Over became the best-selling studio album by a female artist ever. Yes, you read that right—ever. If you haven’t given it a spin yet, what are you waiting for? Your ears deserve this level of joy.

Tracks like “Man! I Feel Like a Woman!” and “That Don’t Impress Me Much” are pure pop-country sass, dripping with confidence and cheeky humor. Shania’s vocals glide effortlessly between playful and powerhouse, delivering lyrics that feel like they were written for karaoke nights and empowerment playlists alike.

But don’t be fooled into thinking this album is all glitter and no grit. Beneath the radio-friendly sheen lies real emotional depth. Ballads like “You’re Still the One” and “From This Moment On” tug at your heartstrings without ever feeling syrupy. These songs are wedding playlist staples for a reason—they’re timeless odes to love that somehow feel both intimate and universal.

Shania has this rare ability to make you feel like she’s singing directly to you, whether you’re slow dancing in your kitchen or crying into your coffee.

What truly sets Come On Over apart is its fearless ambition. Shania didn’t just want to make an album; she wanted to make THE album—the one that could unite country die-hards, pop enthusiasts, and casual listeners alike. And boy, did she succeed.

The record’s seamless blending of genres feels effortless, but this kind of alchemy is rare. It’s like she found the secret recipe for musical gold and decided to share it with the world.

It’s a time capsule of late-’90s brilliance that still feels fresh today. It’s proof that boundaries are meant to be broken and rules are meant to be rewritten.

Curator's Note:

This is such a classic, I just had to share it. So many great songs, but I think the biggest gems are the B-sides. I don't know if they listen to country music in the Philippines or Korea, so maybe this is new to Gehlee and the UNIS girls?